Happy Birthday, Ian Hunter
(Source: tribble1)
I’m sentimental as hell. I’m Irish. I like animals, and then, after baseball, I like people.
(Source: benedictus-of-asgallifrey)
There were times when Lucas was capable of rejoicing in himself as a singularity - a man without a story, secure from tribal delusion, able to see the many levels. But at other times he felt that he might give anything to be able to explain himself. To call himself Jew or Greek, Gentile or otherwise, the citizen of no mean city. But he had no recourse except to call himself an American and hence the slave of possibility. He was not always up for the necessary degree of self-invention, unprepared, occasionally, to assemble himself.
And sometimes the entire field of folk seemed alien and hostile, driven by rages he could not comprehend, drunk on hopes he could not imagine. So he could make his way only through questioning, forever inquiring of wild-eyed obsessives the nature of their dreams, their assessment of themselves and their enemies, listening agreeably while they poured scorn on his ignorance and explained the all too obvious. When he wrote, it was for some reader like himself, a bastard, party to no covenants, promised nothing except the certainty of silence overhead, darkness around. Sometimes he had to face the simple fact that he had nothing and no one and try to remember when that had seemed a source of strength and perverse pride. Sometimes it came back for him.
Archer’s cases are allegories of the quest for ethical action in a world all but devoid of such possibility; Freud would supply the particulars.
The Killing of a Chinese Bookie (1976) - Directed by John Cassavetes